Beginner – Advanced

Handbuilding exquisite pottery forms is as ancient as the Craft is. This workshop is perfect for students who want to take handbuilding and creating dynamic surface decoration to a new level. Come study with this rising star of ceramics who will lead you through wonderful construction techniques that celebrate minimalist form thereby providing perfect planes for bold surface decoration using digital and analog approaches to pattern-making. Explore the power of line, negative space, contrast, and tension and their relationship to the forms you make. Analog and digital pattern design will be introduced, as well as embossing as an under-overlying detail. It’s complex and that’s exactly where we want to be. There will be demonstrations, discussions, hands-on work in our beautiful studio, firing, and heaps of individual attention. You can apply this to wherever and whatever temperature you want to fire.

Yael Braha is an artist of North African descent who received her BA in Graphic Design and MFA in Cinema. She has been an artist-in-residence at Arrowmont, Watershed, Haystack, Starworks, and in Shigaraki, Japan. Yael’s work has been exhibited in museums and galleries in the United States and Japan and is in permanent collections in the United States. In 2021, Braha received the coveted Multicultural Fellowship Award from the National Council on Education for the Ceramic Arts.

Course Fee: $500 + $90 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Renowned painter Thomas Cole was in awe of the beauty of the Catskill Mountains and created some of the most iconic landscape paintings in our country's history. In this workshop, our instructor, a Cole expert, will guide students through his images and methods as well as his journal entries, poems and essays. Students will then create paintings that stem from their own passions and responses. We will explore our magnificent mountain landscape, pause for Cole quotes and imagery, and capture the parts of nature that most excite, using both sketching and photography. Back at the studio we’ll create compositions on canvas using a method that Cole used: tracing. After a demonstration and exercise about color, we will begin painting onto the prepared canvas. Our goal will be to empower students to express the story and beauty that is inside them.

Elizabeth (Betsy) Jacks was the Director of the Thomas Cole National Historic Site in Catskill, New York, from 2003 to 2024, and previously worked at the Whitney Museum of American Art. Her paintings have been exhibited in New York City and in the Hudson Valley, and her written work has been published by both academic and commercial Presses. Betsy is featured regularly in documentary films and radio programs and recently hosted a 10-part series by NPR on Thomas Cole, the foremost landscape painter of the 19th-century and founder of the art movement known as the Hudson River School. Jacks has Degrees in both Studio Art and Art History from Duke University.

Course Fee: $300 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Some experience will be useful

This is an intensive workshop for the potter who wants to gain the ‘chops’ necessary for throwing larger pots with greater volume. We will focus primarily on functional forms like pitchers, casseroles, jars, and bottles as forms with which to explore more advanced wheel throwing techniques. There will be discussions about shapes and forming, demonstrations of clay preparation and throwing large, and trimming/finishing. Attention will be given to the parts of pots that provide generous containment of space, and those parts that help to define or accentuate. Also, a range of types of appendages, like handles, spouts, and lids will be explored. Participants will get heaps of hands-on time, exercises for keeping the focus, and the always important individual attention. Come join us for this first-time hyper-focus workshop in our beautiful studio!

Harry Kunhardt received a BA in Philosophy with an Art History Minor from Skidmore College. A professional production potter, Kunhardt has produced work for Jono Pandolfi and Brad Lail, and makes commissioned works as an important part of his living as a studio potter. Harry has deep experience in wood-firing and has been on firing crews for many potters including Jack Troy, Susan Beecher, Pascal Chmelar, William Baker/Joy Tanner, and Arlene Shechet. His work has been in many national exhibitions including the Philadelphia Museum of Art Craft Show, “The Dirty South Cup Show” in Louisiana, and “Twin Cups” in Illinois for which he was awarded Best In Show. Harry teaches wheel throwing for Byrdcliffe Art Center in Woodstock, Kingston Clay Studio, and at Sugar Maples Center for Creative Arts where he was an Intern in 2016. Currently, Harry and his wife Meredith maintain a home, studio (28a Clay), and wood-kiln near Woodstock, New York.

Course Fee: $300 + $30 Lab Fee + $40 Non-Refundable Registration Fee

Beginner - Advanced

Explore the connection between form, narrative and surface design by drawing, painting and carving on leather-hard clay. Bring a sketchbook of your favorite source material and be ready to incorporate old and new influences to create a library of imagery that is uniquely yours. Participants will be guided in the process of distilling these ideas into dynamic, colorful surface design; giving individual stories universal appeal. This workshop is appropriate for makers of all levels. Participants should be comfortable constructing simple vessel forms or tile—hand-built and/or wheel-thrown—to be decorated in the leather-hard state using sgraffitto and painting techniques.

Sue Tirrell was born and raised in Red Lodge, Montana. Receiving an AA degree from Cottey College and BFA from Alfred University, Sue’s work draws inspiration from life-long experiences in the American West. She is passionate about folk art, vintage kitsch, and western art and culture. Tirrell has exhibited widely in the United States as well as Canada and Australia. A former Resident Artist at the Archie Bray Foundation, she has taught workshops across the US and Canada in community art centers, college classrooms, retirement homes, and one-room schoolhouses. She currently makes her home and studio on the banks of the Yellowstone River.

Course Fee: $500 + $80 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Join us for a four-day basket weaving workshop with award winning weaver Cael Chappell! This hands-on experience will take you on a creative journey, where you'll learn the art of twined basketry using waxed linen thread. Each day will be filled with in-depth instruction to create unique, personalized baskets. Cael's expertise and passion will guide you through the process, from planning your project to completing beautiful baskets. Whether you're a beginner or a seasoned weaver, this workshop promises to be an enriching experience.

Cael Chappell has been working with basket weavers in Africa since 1991. In 2017 he started weaving his own baskets. Because of his deep understanding of basketry, he quickly developed his own unique style of whimsical weaving. His baskets exhibit personality and life which engages viewers. His work has been featured in many exhibitions and publications. Cael enjoys teaching and is writing a book on twining baskets with waxed linen thread. He has presented many lectures to weaving guilds and groups across the country.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

In this exciting workshop students will learn techniques in watercolor, drawing and collage as they draw inspiration from the beautiful Catskill Mountains landscape. Still life rendering within natural spaces (weather permitting) will be explored so that detailing is learned. There will lots of individual attention so that each artist can apply what they’ve learned to their own unique approach. Subjects include observation of the landscape, still life and figure. Subject matter and projects are flexible and open to each artist’s unique interests and needs. Techniques taught in class will include Plein Air Painting, Watercolor Collage, Wet-in-Wet methods, Masking, Texture making and Layering to create a range of painterly abstract and realistic effects in watercolor on paper. All abilities are welcome.

Hilary Doyle is an artist from Worcester, Massachusetts. Recent solo shows include “Probably a Goddess” at Dinner Gallery in New York City, and “On The Way to the Garden” at Taymour Grahne in London. She has exhibited at Mindy Solomon Gallery, Hesse Flatow, and Monya Rowe Gallery. Her most recent exhibition being a two-person show at Galerie LJ in Paris in 2024, Doyle has received press coverage in Two Coats of Paint, Hyperallergic, Bushwick Daily, and New American Paintings Blog. She has taught at Rhode Island School of Design, Brown University, and SUNY Purchase College. She co-founded NYC Crit Club. Doyle was recently co-director at Transmitter Gallery and curates shows independently. Doyle received a MFA from Rhode Island School of Design and BFA from the Massachusetts College of Art and Design. Currently, Doyle teaches at the College of the Holy Cross.

Course Fee: $400 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Some experience is useful

Pottery as a form of utility and expression has existed for over 10,000 years. Endless iterations have spanned all cultures, and ceramic art embellishes every household in the world. The storage of food and anything else you can think of makes its way into shapes and volumes that are defined by the maker. This workshop will offer discussions, demonstrations, and experimentations with many of the boundless ways we can interpret the concepts and practice of pottery. Cups and bowls form the foundation, the entry point, and from there onward we expand our pottery vocabulary, and hopefully with tireless hours of work and dedication we discover our voice with the material. This workshop will provide a deep dive into the expansive universe of utilitarian pottery. There will be a bisque and cone 10 reduction gas firing.

Doug Peltzman was born in New York City and raised on Long Island. Having a voracious appetite for risk, being a skateboarder and artist, Peltzman has been making pots since 2003 and has been painting and drawing his entire life. Since graduating with his MFA from Penn State in 2010, he established a pottery studio in Shokan, NY. Since that time, he has taught workshops throughout the country, is a founding member of Objective Clay, and is one of the principal creators/organizers of the hyper-successful Hudson Valley Pottery Tour. Doug is the father of three superbly talented and cheerful children, a dedicated husband, and a full-time studio potter.

Course Fee: $500 + $75 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

This workshop is an exploration of color using natural dyes and pigments. Participants will create color from raw materials such as cochineal, malachite, clay, oak gall, and black walnuts, for use in a diverse group of water-based binders, from gum arabic to distemper to egg tempera. We will explore the potentials of color, and how materials carry content through history, context, physical and aesthetic properties. Considerations of the environmental impact of materials will offer a framework for maintaining a sustainable safe painting practice. Participants will create a set of handmade watercolor paints, a color swatch book, and exploratory paintings on paper, textile, and panel.

Patricia Miranda is an artist, curator, educator, and founder of “The Lace Archive,” “The Crit Lab,” and “MAPSpace.” Grants include the Ruth and Harold Chenven Foundation, Northern Manhattan Arts Alliance, Arts Westchester, Anonymous Was a Woman Relief Grant, and a NEA grant working with homeless youth. Solo exhibitions include Olin Fine Art Center, 3S Artspace, Jane Street Art Center, and group exhibitions Spartanburg Art Museum, Dunedin Fine Art Center; Lyman Allyn Museum. Recent reviews include Art New England and Brooklyn Rail.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee