Skill Level:  Beginner – Advanced

Using clay to create pottery, sculpture, architectural tile and forms, dates back 28,000 years when the paleolithic Venus figurines were sculpted. From magnificent Native American pots to modern tilework, hand-building processes play an important role in artists’ abilities to express their imaginations and traditions through this malleable medium. During this exciting course students will learn a variety of techniques for realizing forms. There will be demonstrations on pinch, coil, and slab, as well as glazing and firing. This is a fun hands-on course!

Fee: $385 (Course Fee: $275 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

Skill level: Beginner - Advanced

There are endless reasons why making pottery on the wheel has become so popular. The process puts us in touch with our ‘elemental selves.’ Creating forms with our hands and minds serves our desire to invent and realize our imaginations. The ‘farm to table’s movement has made us more aware of the relationships between locally grown foods and handmade wares. At Sugar Maples we celebrate this relationship by offering this dynamic and meaningful course. Students learn how to prepare clay, make pots, glaze, and fire. Also, because we have a beautiful organic farm right here on campus, you can fill those bowls you make with fresh veggies!

Fee: $385 (Course Fee: $275 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

Nothing could be better for the ways you think about your art than spending the 250th anniversary of the 4th of July with these two renowned and remarkable artists. This workshop will mark a moment in your life as an artist because as teaching artists Andrea and John exemplify ways of bringing contemporary and historical weight to concepts, problem solving, and unique perspectives. Working with a blend of focused spontaneity and predetermination, both artists exude unique gifts for communicating what that process looks like. No one leaves the studio without their trajectory in thinking and creating altered. Learn unique hand-building techniques, surface development, decoration, painting, and most importantly how to gather your ideas and new skills around one purpose: YOUR VOICE.

The Gills are both leaders in American ceramics because of their groundbreaking work and abilities to teach, guide, and support others in their own creative quests. Using focused spontaneity and predetermination, both artists exude unique gifts for communicating what a creative process can look like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Fee: $710 (Course Fee: $600 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

Some throwing experience necessary

Upon arriving at our beautiful studio, roll up your sleeves and get ready to dive into the worlds of the Moon jar and Tsubo jar, both important vanguards of ceramic history. This workshop will be a great opportunity to expand your wheel-throwing skills, achieving spherical forms through technique and shaping strategies. We’ll start with small volumes and find our way to larger sectional throwing/building. Rims, bases, and trimming will be important aspects of our exploration. To top off the week there will be a salt firing that offers students the experience of utilizing glazes that accentuate these voluptuous forms.

Sophie Kang Min Yoon is a first-generation Korean American ceramic artist from Queens, NY. She received her BA in art education with a studio art concentration in ceramics from CUNY Queens College. She has taught art within the NYC public school system and has assisted workshops at numerous studios in the metropolitan area. She has been employed as a ceramic technician, studio manager, and production potter. In 2025 Yoon established Long Island Clay - Ceramics Studio in Huntington, New York.  

Fee: $670 (Course Fee: $550 + Lab Fee: $80 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

This class will concentrate on combining hand building techniques to construct sculptural pottery forms. Enjoying working with clay will be our central focus in making forms in innovative ways. We will do a glazing intermission in the center day of the course where I will demonstrate my glazing technique and participants will have a chance to try their hand glazing on tiles that we will make at the very onset. Students will be introduced to classic “feeling” forms as well as going farther into more sculptural vessel forms that take into consideration abstraction and tension. Relationships to space, volume, and activated form will be emphasized.

Donna Polseno is a studio ceramic artist living in the mountains of Virginia, as well as in Liguria, Italy. She has maintained two parallel careers in decorative/functional pottery as well as sculpture, which has an emphasis on the figure and “still life”. She is the recipient of two NEA Fellowships. Her work has been shown in various museums and galleries both nationally and internationally. The most recent comprehensive exhibition of her pottery and sculpture was at the Huntington Museum, WV. Donna has taught at many schools including Haystack, Anderson Ranch, Penland School, and La Meridiana in Italy. Donna has been a visiting artist/teacher twice at Jingdezhen University in China. She taught part time for many years at Hollins University, where she created the annual symposium “Women Working With Clay” which she continues to help organize as the Founding Director.

Fee: $655 (Course Fee: $550 + Lab Fee: $65 [includes first bag of clay] + Non-Refundable Registration Fee: $40

Some throwing experience needed

“I love making functional pottery for daily use, every aspect of the process is an opportunity to dig deep. I believe pots can be a powerful conduit for human connection, convey a sense of comfort, curiosity, and play. My choice of clay and glaze are hyper-intentional. The arrangement of slip/glaze, idiosyncratic marks, leaf motifs, horizon lines, circles, and grids represent my interest in seeing the world through a filtered lens, allowing my taste and experiences to bleed into my work. This approach helps to shift perceptions about what pottery can be; a profoundly soulful way to build relationships through a simple pot”. The workshop will include demonstrations, discussions, and a Cone 10 reduction firing.

Doug Peltzman was born in New York City and raised on Long Island. Having a voracious appetite for risk, being a skateboarder and artist, Peltzman has been making pots since 2003 and painting and drawing his entire life. After graduating with his MFA from Penn State, he established a pottery studio in Shokan, NY. He has taught workshops throughout the country, was a founding member of Objective Clay (2012-2021), and is one of the principal creators of the successful Hudson Valley Pottery Tour. Doug is a dedicated husband, full-time studio potter, and father of three superbly talented and cheerful children.

Fee: $660 (Course Fee: $550 + Lab Fee: $70 [includes first bag of clay] + Non-Refundable Registration Fee: $40)

All levels welcome

Using some of my hand-building templates as a starting point, students will learn how to design and create their own templates while transforming flat clay slabs into functional pottery forms. This class focuses on form development, template-making, surface texture, and thoughtful assembly/alteration techniques. Students will gain practical strategies for translating ideas into repeatable forms, strengthening problem-solving skills, and building confidence in slab construction.

Jen Allen is a studio potter, educator, and mother based in Morgantown, West Virginia. When she's not creating pottery, teaching, or designing templates, you’ll likely find her in the woods with her pup Margot, or at the hockey rink, cheering on her kids' teams.

Fee: $650 (Course Fee: $550 + Lab Fee: $60 [first bag of clay included] + Non-Refundable Registration Fee: $40)

All levels welcome

This course is designed to encourage students to lean into the history of ceramics and to explore ways to utilize historical forms as inspiration for new work. During this innovative workshop the throwing class, with instructor Suze Lindsay, will be collaborating with the hand-building class, taught by Margaret Bohls. Suze and Margaret will share their own deep pools of historical inspiration through brief and entertaining lectures to kindle purpose and intention. Students are invited to bring images of historical works that inspire them. Working on wheels and tabletops, we will explore strategies and techniques for creating functional pots. Conversations and demonstrations will help students create dynamic forms and explore approaches to surface using texture, carving, and a variety of slip decoration techniques. There will be a bisque firing.

Margaret Bohls makes pottery and vessel forms that are inspired and informed by a study of historical ceramics and other decorative arts. She has an abiding interest in the vernacular language of utilitarian forms, with an emphasis on the ways in which process and material can communicate abstract ideas. Bohls has been teaching ceramics at the college level for 30 years. Her teaching interests include the history of ceramics and clay and glaze formulation.

Fee: $655 (Course Fee: $550 + Lab Fee: $65 [includes first bag of clay] + Non-Refundable Registration Fee: $40)