Skill Level: Beginner to Advanced

A playful THREE-DAY weekend workshop dedicated to frame loom and off-loom textile creation is about to ensue! Each day will spotlight a unique technique, allowing plenty of room for creative exploration in our beautiful, sun-kissed studio. Students will learn weft-faced tapestry, warp wrapping, textured weaves, lace weaving, and weaving in the third dimension while creating a small series of woven art pieces. Weaving is for everyone, and its possibilities are limitless. The versatile interlocking grid can be used to craft images, architectural structures, utilitarian cloth, and personal keepsakes. Together, we’ll explore these applications and more. Come discover the boundless potential of weaving in our friendly and beautiful studio.

Margot Becker is an artist, weaver, and educator based in Hudson, New York. Through tactile processes she explores sense of place, the natural environment, and the connection between the Individual and the Communal subconscious. Her work has been exhibited in New York, San Francisco, Los Angeles, Chicago and Houston. Margot Becker has attended residencies at the Houston Center for Contemporary Craft, ACRE, Mildred’s Lane, Rabbit Island and AZ West. She received her BA in studio art from Bard College in 2009 and her MFA from California College of the Arts in 2020 where she was awarded the Edwin Anthony & Adelaine Boudreaux Cadogan Scholarship and the Toni A. Lowenthal Memorial Scholarship for Excellence in Textiles.

Course Fee: $300 + $90 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Gel plate printing, a user friendly, kitchen table compatible printmaking technique with NO need for a press is applicable to painters, printmakers, ceramic artists, journal keepers, etc. Once the basics of Gel Plate printing are learned, it lends itself to both home, studio and travel purposes with ease and practicality. Fun and open to experimentation and improvisation - this is a method where artists with any experience level can discover new motifs and approaches for their art practice - and make beautiful, finished prints. There will be many demos including an “invisible” collage technique where your vibrant colorful prints can become raw material for larger works on paper. We will use slow drying Golden’s Open Acrylics mostly printed onto mulberry paper.

Holly Hughes is an artist with her own shorthand, developed to describe both nature and the human-made visual world surrounding us. Hughes, Professor Emerita of Painting at the Rhode Island School of Design (RISD), works in various mediums - always in conversation with one another. Processed by an imagination raised on Disney, the pictures exude both humor and inspiration from modern culture and the decorative arts. Codes for the idyllic and pastoral slam against a play of repossessed abstract language, with sources ranging from painting history through heraldry to domestic linens. Her practice ranges across painting, works on paper, printmaking, and ceramics. Hughes’ work can be found in many corporate, public, and private collections including Citibank, Pepsico, Prudential Bache, Pfizer Collection, Benziger Imagery Collection, Davis Museum, Dorsky Museum, and Museum of Rhode Island School of Design.

Course Fee: $300 + $40 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

This introductory course will provide students with the basic principles and techniques when working with Oil Paint. Students will be introduced to paint-handling and application techniques, color mixing, composition, and different methods for developing a representational painting. Using an exciting direct method of applying paint, and the indirect method of monochromatic underpainting prior to color application, participants will learn how to construct a dynamic image. Favorite photographs will be used to learn fundamentals of observation and alla prima landscape painting. Throughout this enjoyable workshop, emphasis will be placed on lots of individual support. All levels are welcome to come learn from this always popular Instructor.

Nathan Loda is an American realist oil painter. Nathan received an MFA from George Mason University in 2015 and a BFA in painting from Shepherd University in Shepherdstown, West Virginia in 2011. His work is playful yet painstakingly detailed and steeped in American history and landscape painting from observation and imagination. Loda’s current work explores the mystery and magic of landscape as homage to art history and the Hudson River School of painters. Recently, Nathan and his young family spent a semester in Italy where he taught for the University of Georgia’s Cortona Studies Abroad Program.

Course Fee: $300 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

In this introductory class, students will learn the exciting fundamentals of woodworking by making their own set of wooden utensils. Starting with an overview of the material, principles of grain, and examining spoon design and tool safety, we will explore the essentials of wood carving techniques. This is a lively course for those who are looking for an opportunity to start their woodworking journeys and makes for an idyllic place to start a dialogue between the trees of our glorious Catskills and you, the maker. Come join us in that important conversation!

Miles Gracey is a furniture/cabinet/object maker, working primarily in wood. His work explores storytelling, ornamentation, and narratives amongst objects— all predicated on touch. Miles received a BFA in sculpture from Otis College and an MFA from Cranbrook Academy of Art. Gracey has been in residence at Houston Center for Contemporary Art, the Center for Furniture, and Haystack. His awards include Anderson Ranch, Berkshire Woodworkers Guild, and the Jackie Romine Scholarship at the Krevov School, among others. Miles has participated in numerous important group exhibitions.

Course Fee: $200 + $50 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

In this introductory workshop, you'll learn the essential techniques for tying classic trout flies, from the alluring wet patterns that mimic aquatic insects to the vibrant streamers that tempt larger fish. Whether you're a seasoned angler or a curious beginner, this hands-on experience will equip you with the skills to create effective and beautiful lures. Under expert guidance, you'll master the art of tying the Black & Olive Woolly Bugger, a versatile wet fly; the Black-Nosed Dace, a classic dry fly that imitates a small minnow; the Hendrickson, a dry fly designed for mayfly hatches; and assorted nymphs, essential for imitating underwater prey.

Since childhood, fly fisherman Judd Weisberg has been casting lines on the Schoharie Creek and far off destinations such as Montana, Wyoming, and Japan. Each fall, a tradition born in 1966 beckons him back to the vibrant currents of Moosehead Lake. Judd’s creativity flows beyond the riverscape. As an artist, Judd works in various media, exploring the essence of Nature. He recently collaborated with noted pianist, Yi-heng Yang, who teaches at Julliard, creating the "Woven Currents" series. Their collaboration was Inspired by the Schoharie's junction pools.

Course Fee: $100 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

Coil-building is a foundational ceramic hand-building process with principles used to make things that encompass pottery, sculpture, and even architecture. The techniques taught will lean heavily on understanding materiality (clay), the sensitivity of touch, and ideas of structure. In this workshop, students will engage all three of these elements; learning how to coil-build an array of forms, volumes, and structures as ceramic sculpture. In this amazing workshop, issues of intention, scale, and exploration of form will be shared.

Ebitenyefa Baralaye is a Detroit-based ceramicist, sculptor, designer, and educator. His work explores cultural, spiritual, and material translations of objects, text, bodies, and symbols interpreted through a diaspora lens and abstracted around the aesthetics of craft and design. He studied at Rhode Island School of Design and the Cranbrook Academy of Art. Baralaye has exhibited at David Klein Gallery, Friedman Benda Gallery, and the Korea Ceramic Foundation, among others. He is currently an Assistant Professor in the Stamps School of Art & Design at the University of Michigan.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Discovering Your Creativity is a hands-on workshop in which students dive straight into creating acrylic paintings from initial concepts to a finished piece. Attendees will learn basic painting techniques and will be encouraged to draw upon learned life experiences, new ideas and underlying inspiration. This always dynamic workshop will give the student new insights as to how to take risks, learn from experimentation, and make artistic expression a fulfilling life-long endeavor. The fun is always electric in this very popular workshop at the foot of legendary Thomas Cole Mountain.

Kárin Lowney-Seed is a professional artist and designer whose work demonstrates a bold, confident and colorful painting style. Lowney-Seed’s prolific career has spanned the fine arts and design worlds. Featured as a popular guest artist at The Sugar Maples Center for Creative Arts, Kárin takes personal pride in elevating her student’s artistic talents by sharing her deep knowledge of technique, color and space. She holds an MFA and BA from The School of the Art Institute of Chicago. Karin currently makes her home and studio in New Jersey.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

This workshop will focus on technical skills, cultivating curiosity, and learning from the surprises that arise in a studio practice. We will spend time making pots on and off the wheel, discuss clay’s material poetics, and will prepare together for a salt firing. Technical demonstrations will include wheel throwing, altering, trimming, hand building, slab making, and slip and glaze considerations. We will fire the soda/salt kiln to Cone 6. Potters of all skill levels are welcome!

Katie Fee grew up in Low Country, South Carolina. Fee earned her BA in Art and Geology from the William & Mary and her MFA from Alfred University. Fee’s work has led her to kiln pads and clay studios around the world - most recently to France and Japan - as a visiting artist, wood firing specialist, instructor, and project manager. She currently works full time as Studio Manager for Theaster Gates Studios in Chicago, Illinois.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee